I did not pick up The Year of Magical Thinking* to alleviate my own grief; I picked it up because I mistakenly thought it was one of Joan Didion’s novels, and she had been on my literary list for a while. Boy, was I in for a sad, sad treat. Didion is an award-winning writer-giant with experience in fiction, screenwriting, and political reporting. Her memoir, The Year of Magical Thinking, reveals her attempts to make sense of the death of her husband, John Dunne. Her grieving process is complicated by the fact that their only daughter, Quintana Roo (you read that correctly), faced grave, ongoing health issues requiring consistent hospitalization during the time of her husband’s death.
John Dunne was also a writer as talented and acclaimed as his wife. This was a fabulous couple and they did fabulous things. As such, Didion name drops and I dig it. Her life was cool, sophisticated, and privileged. Was she supposed to pretend in her memoir that it wasn’t? Why wouldn’t I want to dip in that luxury pool for a bit? It has jets, bubbles, and floating gardenias!
Because of their unique occupations, Didion and Dunne spent an unusual amount of time together and were extraordinarily dependent on one another. They spent their days writing in unison and always edited each other’s work. When describing their routine, Didion says they walked together in Central Park every morning. She explains, “We did not always walk together because we liked different routes but we would keep the other’s route in mind and intersect before we left the park” (Didion, 36). From my perspective, I think this description perfectly encapsulates their marriage, in which both members are independent yet fiercely intertwined. They were crazy close so you can imagine the devastating impact of his death.
Well, you don’t have to imagine, because you can read her book. Didion’s words are not the pouring out of raw emotion that you might expect from a new widow. She is a writer who is in shock. Her world has just turned upside down and she is trying to figure out how to continue to live in it, which includes continuing to write. The memoir appears to be cathartic for her, as she brings to the surface the acute pain of his absence. She acknowledges that it is difficult for her to understand John’s death as something that happened to him as opposed to something that happened to her (Didion, 77). She relies on literature and psychological studies to confront her mourning as a “transitory manic-depressive state” (Didion, 34). Her efforts to rationally address his death can sometimes give off detached vibes, but who am I to judge this woman’s coping mechanisms?
I can only judge her writing, and I’m into it. Her words offer uncomfortable yet beautiful insight on the human condition. She notes toward the end of the memoir, “We are imperfect mortal beings…so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. As we were. As we are no longer. As we will one day not be at all” (Didion, 198). I don’t know what “typical” novelist or essayist Joan Didion is like, but I’m intrigued to find out after this little taste. The Year of Magical Thinking receives 4 out of 5 camel humps.
*Didion, Joan. The Year of Magical Thinking. New York: Random House, 2005. Print.